Muse creative awards | 2020 Silver winner | "Unlike Individuals :: Idea Behind" | feature pic

May 14, 2020May 13, 2020 by tailor.brands.dressier

Drezier Communications wins Muse Creative Awards Silver winner with the entry “Unlike Individuals : : Idea Behind”

[ Hong Kong – May 4, 2020 ] Out of 3820 submissions from 50 countries, “Unlike Individuals :: Idea Behind” has been awarded the prestigious Silver recognition for the 2020 MUSE Creative Awards competition. The winning piece was created by our Creative Director, Alan SO, for an Asia-wide digital marketing agency, Innovative Digital Media based in Hong Kong.

“It’s been our great, great, great honour to gain the recogination of our performance in 2019 .”
Alan SO, Creative Director of Drezier Communications

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May 14, 2019April 30, 2020 by tailor.brands.dressier

Drezier Communications wins Muse Creative Awards Gold winner with the entry “Future To Be”

[Hong Kong – May 14, 2019] Out of more than 2,000 submissions from 42 countries, “Future To Be” has won Gold recognition in the 2019 Muse Creative Awards competition. The winning work was created by Alan TF So for Mr. H. Tang.

[Winners' page seen our entry with others winners] Muse creative awards | Gold winner 2019 | Coroporate Identity category | Business Card sub-category | "Future To Be" of Mr. H. Tang [Design, Branding, Printing Technique]

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March 29, 2019April 30, 2020 by tailor.brands.dressier

Drezier Communications’ project “Green Hands :: Made with Love for Beloved for Green Baby Garden” was shortlisted in the Creativepool Annual 2019

London, February 26, 2019 – The shortlist for this year’s Creativepool Annual has been announced featuring a diverse mix of individuals, creative companies and brands in 2019.

[Shortlist page showing our project under our Creative Director's membership ith others projects] Creativepool Annual 2019 | Branding category | Individuals: Alan TF So | Green Hands :: Made with Love for Beloved for Green Baby Garden [Design, Branding, Craftsmanship]

Shortlisted Project in Branding category

Creativepool announces “Green Hands :: Made with Love for Beloved for Green Baby Garden” has been shortlisted in the branding category of the Creativepool Annual 2019. The creative project was submitted under an individual membership of Alan TF So. Continue reading →

September 2, 2017April 20, 2021 by tailor.brands.dressier

20th Century Masterpieces : : Westside Lounge Chair

[ #25 | Westside Lounge Chair ]

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1983. Designed by Ettore Sottsass

Reinterpretation of an easy chair from a classical club.
White lacquered steel legs. Polyurethane foam rubber seat.
Seat upholstered in different colours of fabrics.
Height 74 cm. Width 99 cm. Depth 74 cm.

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Westside Lounge Chair by Ettore Sottsass, 1983 | from drezier’s blog [20th Century Masterpieces : : Westside Lounge Chair] dated 2017/9/02

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第一個出場的意大利建築師，Ettore Michealo Sottsass (1917-2007) 也是一名不折不扣的後現代主義建築師及設計師。他的父親是一名建築師，隨後就讀於意大利都靈理工大學，1939 年建築學士榮譽畢業。意大利正處於二戰戰火中心，他也參軍了。不過，他很快便被關進南斯拉夫的集中營。1948 年，他終於回家，並急不及待開設他的位於意大利米蘭的建築設計事務所。 Continue reading →

August 12, 2017April 20, 2021 by tailor.brands.dressier

20th Century Masterpieces : : Art Deco 665 Chair

[ #24 | Side Chair “Art Deco 665” ]

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1978. Model No.665
Designed by Robert Venturi

Screen-printed laminate over bent plywood structure.
Height 79 cm. Width 60 cm. Depth 58 cm. Seat Height 43 cm.

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20th Century Masterpieces : : Art Deco 665 Chair by Robert Venturi, 1978 | from drezier’s blog [20th Century Masterpieces : : Art Deco 665 Chair] dated 2017/8/22

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Robert Charles Venturi, Jr. (1925- ) 是著名美國後現代主義的建築師，他的箴言「少即是乏味」(Less is a bore)，強烈對比於現代主義的 Mies 密斯的箴言「少即是多」(Less is more)。 Continue reading →

July 22, 2017April 20, 2021 by tailor.brands.dressier

20th Century Masterpieces : : Conoid Chair

[ #23 | Chair “Conoid” ]

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1971. Designed by George Nakashima 中島勝寺

Black walnut and hickory structure.
Height 90 cm. Width 47.5 cm. Depth 52.5 cm. Seat Height 43 cm.

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20th Century Masterpieces : : Coniod Chair by George Nakashima, 1971 | from drezier’s blog [20th Century Masterpieces : : Conoid Chair] dated 2017/7/22

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中島勝寺 (George Katsutoshi Nakashima；1905-1990) 是美籍日裔建築師，也是美國最有影響力的傢具設計師及木工匠。他於美國華盛頓州斯波坎出生，就讀華盛頓大學的建築系，1929年取得建築學學士學位，1931年於麻省理工學院取得碩士學位。勝寺氏售賣了他的車子，用來購買環遊世界的郵輪船票，觀摩多處的建築物，最後落腳於日本。 Continue reading →

July 1, 2017March 25, 2017 by tailor.brands.dressier

20th Century Masterpieces : : Dr. Glob Chair

[ #22 | Chair “Dr. Glob” ]

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1968. Model No.4876
Designed by Philippe Starck

Smooth dyed polypropylene seat.
Epoxy-polyester powder coated steel backrest & structure.
Stackable. Suitable for outdoor.
Height 73 cm. Width 48 cm. Depth 47.5 cm. Seat Height 46 cm.

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20th Century Masterpieces : : Dr. Glob Chair by Philippe Starck, 1968 | from drezier’s blog [20th Century Masterpieces : : Dr. Glob Chair] dated 2017/7/01

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Philippe Patrick Starck (1949- ) 出生於法國，土生土長的鬼才法國設計師，他涉獵範疇廣泛，包括建築、傢具、工業產品及室內設計。Philippe Starck 的父親為一名航空工程師，他入讀一所五年制位於巴黎的私立設計學院 — École Camonodo，曾入讀該校的著名舊生，有傢具設計師 Pierre Paulin、城市規劃師 Jean-Michel Wilmotte、室內設計師 Jacques Grange、越裔演員 Tran Nu Yen Khe，以及建築師 Robert Couturier 等。 Continue reading →

June 10, 2017March 19, 2017 by tailor.brands.dressier

20th Century Masterpieces : : Spoke Chair

[ #21 | Chair “Spoke” ]

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1963. Model No. S-5027NA-ST.
Designed by Kappei Toyoguchi.

Wood structure and legs. Seat upholstered in fabric.
Height 83 cm. Width 81 cm. Depth 69 cm. Seat Height 34 cm.

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20th Century Masterpieces : : Spoke Chair by Kappei Toyoguchi, 1963 | from drezier’s blog [20th Century Masterpieces : : Spoke Chair] dated 2017/6/10

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豊口克平 (Kappei Toyoguchi；1905-1991) 是日本最早一批現代工業設計師。豊田氏出生於日本秋田縣，先從秋田縣工業學校的機械科畢業，於橫濱市工業學校任職助理。1923 年的關東大地震，他差點兒喪命。之後，他考上東京高等工藝學校的工藝設計系，跟隨名師宗近倉田（Kurata Munechika）學習，畢業時為 23 歲。宗近倉田氏是從德國包豪斯（Bauhaus）畢業的日籍設計師。豊田氏曾短暫於宗近倉田氏的 Keiji Kobo 設計公司任設計工作。 Continue reading →

May 20, 2017May 16, 2018 by tailor.brands.dressier

20th Century Masterpieces : : Corona Chair

[ #20 | Easy Chair “Corona” ]

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1961. Model No. EJ 5
Designed by Poul M. Volther.

Model polyurethane foam structure.
Matte chromed spring steel frame.
Seat upholstered in fabric.
Height 96.5 cm. Width 87 cm. Depth 85 cm. Seat Height 42 cm.

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20th Century Masterpieces : : Corona Chair by Poul Volther, 1961 | from drezier’s blog [20th Century Masterpieces : : Corona Chair] dated 2017/5/20

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Poul M. Volther (1923-2001) 也是一位出色的丹麥籍傢具設計師，受訓於哥本哈根藝術及工藝學院。作為設計師，他受包豪斯影響反而是功能主義者，喜用簡單設計及精工，被免太過關注短暫的美術潮流。其後，於丹麥設計學院任教，Volther 當然一樣推嵩他的理念，極力鼓勵他的學生高舉精準工藝。 Continue reading →

April 29, 2017March 14, 2017 by tailor.brands.dressier

20th Century Masterpieces : : Round Rattan Chair

[ #19 | Round Rattan Chair ]

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1960. Model No.T-3010.
Designed by Isamu Kenmochi.

Rattan woven structure. Wool covered cushion.
Height 75 cm. Width 99 cm. Depth 94 cm.

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Round Rattan Chair by Isamu Kenmochi 野口勇, 1960| from drezier’s blog [20th Century Masterpieces : : Round Rattan Chair] dated 2017

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一齊由著名美籍日裔藝術家野口勇（Isamu Noguchi, 1904-1988）說起。戰後 1950 年，野口勇再次回到日本，巧遇同名字的日本工業設計師劍持勇（Isamu Kenmochi, 1912-1971)。他們不同背景，但藝術修養類同。劍持勇對藤傳統製品極濃，野口氏亦然。他們共同設計及製作了原型樣本—竹籃椅（The Bamboo Basket Chair)，野口氏選用他喜好的雕塑鋼結構作椅腳。這張椅子從未量產，而原版樣本又遺失了，最終只於美國野口博物館，依照一張照片製作了一張「克隆」展出。 Continue reading →